It is a well known phenomenon that women spend lakhs to have the best
accessories for their wedding . The wish to glisten from head to toe is
found in all the brides of the world. The Indian brides are no
different; in their wish list all the accessories (tiny or huge) find a
place very easily.
Indian brides are indeed fortunate to be born in a nation where women have accessories for all possible parts of her body, toe rings, payal, tagdi, baazu bandh, jhumhar, kaleere, maang teeka, nathni…and many more. These ornaments have no western counterparts.
Thus to enjoy the complete luxury of these native ornaments an Indian bride must have the five ornaments suggested below:
1) PAYAL: a little metal string wounded around the ankle, the best thing about this Indian ornament is that the little ghungroos weaved into the string produce a jingling sound on walking. Imagine a bride’s shy steps and the crowd waiting in anticipation for her, VIOLA!!! Isn’t it just the impression a bride wants at her wedding?
2) KAMARBANDH: A metal waist belt is everything a bride would want, to flaunt her waist in that bright lehanga choli. Now who says that tradition cannot be glamorous? For all those who think like that, tagdi is the solution to look sexy in that traditional lehanga choli.
3) BAAZU BANDH: name a culture in which women wears bangles above the elbows? It is the INDIAN CULTURE! A bold and sensational adjustable bangle can add charm to the arm. Two best things about it are, firstly it is worn where no other ornament can reach, and secondly it can be worn with a sleeve-less dress and full-sleeved both, without compromising on the affect it produces.
4) ARSI RING: A traditional mirror ring worn by upper cast brides is now open to everyone. Keeping the tradition intact the huge mirrored ring will in actually help reflect the glittering bride and the conscious bride will not have to run for the mirror to the distant washrooms!
5) MAANG TEEKA: The exclusive ornament, which is to be placed on the forehead, has been part of the culture since ages. The ornament is the transition tool for young women; the beauty of the empty hair parting is replaced by the red sindoor put by the husband. It is for this reason that women hold their hair-parting so close to hearts, and to crown it with a maang teeka is the best way to announce the joy of womanhood.
Indian brides are indeed fortunate to be born in a nation where women have accessories for all possible parts of her body, toe rings, payal, tagdi, baazu bandh, jhumhar, kaleere, maang teeka, nathni…and many more. These ornaments have no western counterparts.
Thus to enjoy the complete luxury of these native ornaments an Indian bride must have the five ornaments suggested below:
1) PAYAL: a little metal string wounded around the ankle, the best thing about this Indian ornament is that the little ghungroos weaved into the string produce a jingling sound on walking. Imagine a bride’s shy steps and the crowd waiting in anticipation for her, VIOLA!!! Isn’t it just the impression a bride wants at her wedding?
2) KAMARBANDH: A metal waist belt is everything a bride would want, to flaunt her waist in that bright lehanga choli. Now who says that tradition cannot be glamorous? For all those who think like that, tagdi is the solution to look sexy in that traditional lehanga choli.
3) BAAZU BANDH: name a culture in which women wears bangles above the elbows? It is the INDIAN CULTURE! A bold and sensational adjustable bangle can add charm to the arm. Two best things about it are, firstly it is worn where no other ornament can reach, and secondly it can be worn with a sleeve-less dress and full-sleeved both, without compromising on the affect it produces.
4) ARSI RING: A traditional mirror ring worn by upper cast brides is now open to everyone. Keeping the tradition intact the huge mirrored ring will in actually help reflect the glittering bride and the conscious bride will not have to run for the mirror to the distant washrooms!
5) MAANG TEEKA: The exclusive ornament, which is to be placed on the forehead, has been part of the culture since ages. The ornament is the transition tool for young women; the beauty of the empty hair parting is replaced by the red sindoor put by the husband. It is for this reason that women hold their hair-parting so close to hearts, and to crown it with a maang teeka is the best way to announce the joy of womanhood.
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